




Jan 30, 2026
Career Development Day
8:30 am - 9:00 am
Registration
📍Sloan Performing Arts Center Lobby
407 Alumni Rd, Rochester, NY 14627
9:00 am - 10:15 am
Session 1
9:00 am - 10:15 am
Master Class
Open Level
This movement-based workshop session will give participants an opportunity to explore mindful and intentional movement that blends Bartenieff Fundamentals, modern dance and hatha yoga. By moving slowly and mindfully, with somatic awareness, we will attend to our bodies, our breath and our mental health in a way that supports overall dancer wellness. We will move, reflect and discuss the significance of incorporating somatic work into our own personal practices as well as into our studio classes. How does attending to ourselves mindfully, somatically, influence our overall health and wellness as dance artists and humans living in the world? How might this support our current or future teaching practices, as well?
9:00 am - 10:15 am
CANCELED
Vernacular Jazz (1920's - 40's)
High Schoolers & Undergraduates
📍
Master Class
Beginner Level
Come step into this social and rooted jazz form as we explore steps from the 1920's, 30's, and 40's!
9:00 am - 10:15 am
Yoga and Dance Synergies in Education
Hobart & Williams Smith Colleges
All Students
📍Spurrier Dance Studio
Master Class
Open Level
This movement session supports the inclusion of modern postural yoga practices and yoga philosophies into dance training for children, college students, and older adults of all abilities. Donna will embed yogic and anatomical principles and concepts into the movement session to convey the potential of Vinyasa and Anusara yoga approaches to lead 1) young dancers to simultaneous ease and power, personally authentic performance experiences, and fewer dance injuries; and 2) older dancers to greater acceptance of self, safer physical flexibility, more breath support, balance without strain, and constant integration of emotional expression and physical action. Central to the workshop’s design is the notion that cross-training with yoga has enormous benefits for the dancer, not merely physical; this is true when adding a yoga experience that allows individual pacing, personal agency, slow adjustments, creative choice, and introspection. In addition, ongoing verbal cues from the instructor encourage less watching and copying of movement and more listening with liberated responses. Unlike a traditional technique class, which demands accuracy and correctness, the yoga session can drive its participants to deeper awareness of alignment, balance, holding patterns, and tight or loose areas of the body, absent the need to please a teacher, compete with another dancer, or criticize oneself. Participants are invited to bring their own yoga mat, borrow a mat, or observe the session.
10:30 am - 11:45 pm
Session 2
10:30 am -11:45 pm
Composing in Real Time
All Students
📍Sloan Performing Arts Center Theater
Experiential Workshop
Open Level
This workshop invites participants to become both choreographer and performer in the moment. Using improvisation structures, visual prompts, and compositional tools, we will explore how to create movement that is clear, layered, and surprising. Participants will generate and refine short studies while experimenting with pacing, spatial design, and thematic cohesion. Designed for mixed levels, this session is accessible to students newer to choreography while also offering advanced strategies for experienced dancers and educators to sharpen creative process skills.
10:30 am -11:45 pm
Master Class
Intermediate Level
A full-body movement class influenced by Laban/Bartenieff theories; class will include a dynamic warm-up, elements of improvisation, and creative phrase work
10:30 am -11:45 pm
Ballet for EveryBODY
All Students
📍O'Brien Dance Studio
Master Class
Intermediate Level
Ballet for EveryBODY is an inclusive, somatic approach to ballet that recognizes each student’s individual capacities and encourages them to flourish in a supportive, student-centered learning community. Dancers will enhance their confidence and sense of self-agency while exploring traditional barre, center and across the floor combinations blended with some fun partner exercises and somatic practices. Historically ballet was taught in a top-down model. Ballet for EveryBODY pushes against the authoritarian structure, centering the student as the expert on their own bodies, with a goal of empowering dancers to build self-awareness and develop artistry while cultivating strength and technical skills.
10:30 am -11:45 pm
NHSDA Information Session
Kaitlynn Schultz, NDEO Staff
Dance Educators, Students, & Parents
📍Sloan Performing Arts Center Green Room
Informational Session
NHSDA Information session for dance educators interested in starting a chapter or have questions about existing chapters.
LUNCH
11:45 am - 1:15 pm
1:30 pm - 2:15 pm
Session 3A
1:30 pm - 2:15 pm
Career Panel
📍Sloan Performing Arts Center Theatre
Informational Session
Join us for an engaging Q&A session with accomplished dance professionals. Listen as they share how they built fulfilling careers in dance—both in performance and in related fields beyond the stage. Following the discussion, take time to visit and connect with organizations and programs in our vendor area.
2:15 pm - 3:00 pm
Session 3B
2:15 pm - 3:00 pm
Program Visits
📍Sloan Performing Arts Center Theatre Lobby
Informational Session
Visit and connect with dance programs from across the state in our vendor lobby.
3:15 pm - 4:30 pm
Session 4
3:15 pm - 4:30 pm
Dancing Across Disciplines: Embodied Interdisciplinary Learning
CUNY Hunter College: Arnhold Graduate Dance Education Program
INSTRUCTOR: Ana Nery Fragoso
All Students
📍Spurrier Den
Experiential Workshop
Intermediate Level
This session offers a hands-on experience exploring the Arnhold Graduate Dance Education Program’s interdisciplinary approach to teaching dance. Participants will engage in a 1-hour movement class that combines dance technique, improvisation, movement analysis, and collaborative dance-making inspired by artists from across disciplines. Participants will explore creative approaches to designing meaningful dance education experiences that foster interdisciplinary collaboration across levels, disciplines, and settings.
3:15 pm - 4:30 pm
Jazz: Rhythm Anchored Choreography
INSTRUCTOR: Carlos Jones
Undergraduates & Graduates
📍Spurrier Dance Studio
Experiential Workshop
Open Level
Explore the practice of creating dance works rooted in music and dance from the jazz continuum. Attendees will learn a couple of key concepts and then work in small groups to generate phrases that centers rhythm, polycentric movement, and groove. In collaborative feedback, participants asked to consider and try using these concepts as application in their own movement lexicons.
3:15 pm - 4:30 pm
Ballet & Bartenieff
INSTRUCTOR: Allison Thomashefski
All Students
📍O'Brien Dance Studio
Master Class
Intermediate Level
This class will explore a somatic approach to ballet embodiment. Referencing Irmgard Bartenieff's Patterns of Total Body Organization, dancers will explore traditional barre work, center and across the floor combinations, while exploring concepts such as Breath, Core-Distal, Head-Tail, Upper-Lower, Body-Half and Cross-Lateral connectivities. This class is open level, for all dancers who are interested in ballet technique and generating applications of somatic techniques to their practice.
3:15 pm - 4:30 pm
NHSDA Information Session
Kaitlynn Schultz, NDEO Staff
Dance Educators, Students, & Parents
📍Sloan Performing Arts Center Green
Room
Informational Session
NHSDA Information session for those interested in learning more about the benefits of chapter membership, how to start a chapter, or have questions about existing chapters.
4:45 pm - 6:00 pm
Session 5
4:45 pm - 6:00 pm
Experiential Workshop
Open Level
Plunge into the subject of anatomy by putting those bones and muscles into action. Specially designed kinesthetic activities will be used to embody anatomical principles of mobility and stability and anatomical language.
4:45 pm - 6:00 pm
Contemporary African
Rutgers University: Mason Gross School of the Arts
INSTRUCTOR: DeAngelo Blanchard
High Schoolers & Undergraduates
📍Spurrier Dance Studio
Master Class
Intermediate Level
This Contemporary African dance workshop focuses on the relationship between rhythm and movement. The class draws from traditional West African dance forms and connects them with elements of Black American dance. Participants will practice grounded movements, improvisation, and shifts in energy, while also experimenting with rhythm and flow. The workshop provides space for individual exploration and group connection and is open to dancers of all levels.
4:45 pm - 6:00 pm
Contemporary and Partnering
INSTRUCTOR: Heather Roffe
High Schoolers & Undergraduates
📍O'Brien Dance Studio
Experiential Workshop
Intermediate Level
A contemporary movement class, focusing on release technique, and how to utilize those fundamentals to assist with partnering skills. We will do a full-body warm-up, some exploratory improvisation, and learn some phrasework/partnering techniques in this class. Bring kneepads if you have them - this class is designed for barefoot, non-touch-averse, and uninjured dancers!
DINNER
6:00 pm - 7:30 pm
7:30 pm
STRIPPED
Informal Lec-Dem Performance
Doug Varone and Dancers
📍Sloan Performing Arts Center Lobby
STRIPPED provides an intimate and informal look at Doug Varone's creative process. Join us for this lecture demonstration performance! In collaboration with University of Rochester's Program of Dance and Movement, STRIPPED provides an intimate and informal look at Doug Varone's creative process. Dressed in only rehearsal clothes and under simple lights, the company presents a detailed look into the intricacies of how dances are created and performed. Varone's articulate and insightful way of dissecting his choreography for dance audiences helps to demystify the art form for many viewers, and provides an overture for experiencing contemporary dance.
THIS EVENT IS MADE POSSIBLE BY THE NEW YORK STATE COUNCIL ON THE ARTS WITH THE SUPPORT OF THE OFFICE OF THE GOVERNOR AND THE NEW YORK STATE LEGISLATURE.
Jan 31, 2026
Professional Development Day
8:30 am - 9:00 am
Registration
📍Sloan Performing Arts Center Lobby
9:00 am - 9:45 am
Warm Up
📍Sloan Performing Arts Center Theatre
10:00 am - 11:00 am
Session 1
10:00 am - 11:00 am
Experiential Workshop
The objective of this workshop is to demonstrate how yoga can serve as a vital tool for teaching dancers that self-care is not a luxury but a superpower—one that supports resilience, longevity, and well-being in the dance field. Too often, dance training emphasizes physical mastery while neglecting the soft skills and wellness practices that sustain a long, healthy career. This session reframes yoga and DEISJ-informed pedagogy as practical strategies to address that gap. We begin with a facilitated group discussion, inviting participants to share the physical and mental health challenges they or their students encounter—stress, burnout, body image, injury recovery, or performance anxiety. These reflections situate the work in real experiences and highlight the resilience dancers must cultivate to survive and thrive. Participants will then be guided through a short, accessible yoga sequence, designed in response to the issues surfaced in discussion. The class concludes with a moment to reflect: How do our bodies and minds feel after this experience? The workshop closes with a collective dialogue on how these tools can benefit dance students and how yoga-infused, student-centered practices can be translated into participants’ own educational environments. By grounding the work in self-awareness, empathy, and adaptability, this approach challenges conventional models of dance training that privilege virtuosity over holistic development. It extends current research in embodied pedagogy, wellness, and social justice, and offers concrete, transferable methods for fostering access, representation, and inclusivity. Ultimately, this workshop equips educators with strategies to empower dancers not only as performers, but as whole people prepared for sustainable, impactful artistic lives.
10:00 am - 11:00 am
Building Bridges: Student Voice Through the Arts
Colleen Pictor-Sall & Sarah Johnson
📍Spurrier Dance Studio
Experiential Workshop
In Building Bridges: Student Voice Through the Arts, participants will learn how they can use the arts to build strong connections for their students across content areas and within their communities. This hands-on workshop explores how integrating dance and movement with core academic subjects can create a student-centered and culturally responsive learning environment. Drawing on the principles of the EL Education model, we will demonstrate how to build authentic, standards-aligned curriculum that empowers students to make connections between their academic learning, their community, and their own lives. We will explore how a school can build a culture where "everybody dances," not just in an elective, but as a vehicle for accessing and expressing knowledge. Participants will leave with a customizable structure they can apply to their own classrooms, using dance to explore topics like geometry, literary devices, or community service projects. This workshop provides a hands-on exploration of arts integration through a student-centered lens. It begins with a gallery walk to activate participant curiosity and prior knowledge, followed by a brief overview of our curriculum's foundational principles. The core of the experience is a "Student Hat" journey, where participants are guided through a movement-based exploration of a specific topic, such as the solar system's gravitational push and pull. Interspersed throughout are check-in points to anchor the experience and facilitate reflection. The session concludes with a closing circle where participants reflect on how to apply the model to their own classrooms, followed by an honest discussion about the challenges and successes of implementing arts integration. The workshop will also include a collaborative brainstorm, testimonial from our schools’ teachers, and video examples of student work, such as site-specific performances at MLK Park, to demonstrate how these principles build bridges within the community.
10:00 am - 11:00 am
Experiential Workshop
This workshop highlights an innovative studio-based creative dance track developed at the 92NY Harkness Dance Center using the Dance Education Laboratory (DEL) Model. Rooted in DEL’s student-centered, concept-based pedagogy, this track empowers young dancers to explore, create, and connect in ways that position dance as both a transformative art form and a lifelong practice. Designed as a sequenced progression of classes, the track is developmentally responsive and inclusive, supporting children as they grow from their earliest movement experiences through the discovery of their artistic voices. It also provides space for dancers who may not thrive in traditional technique classes but who love to dance and make dances. By centering creativity, collaboration, and reflection, the DEL approach ensures that every student—regardless of background, ability, or preferred learning style—feels valued and engaged. In doing so, the program reflects dance as both a window into the world and a mirror of students’ own diverse identities and experiences. Participants in this session will experience sample activities inspired by the creative track and engage in discussion about how the DEL Model can be applied in studio settings to elevate and empower young dancers. Together, we will consider how studio-based programs can embrace student-centered learning, foster creativity, and build inclusive communities where dance education thrives as a force for connection, expression, and social change. By sharing this model, we aim to inspire educators to design programs that not only strengthen dance technique but also cultivate the imagination, resilience, and collaboration skills that extend far beyond the studio.
11:15 am - 11:45 am
Session 2A
11:15 am -11:45 am
Student Presentation
Adelphi University
This creative research explores how Bharatanatyam, one of the oldest Indian classical dance forms, is related to women's empowerment. The investigator is an Emerging Scholar student in the Bhisé Global Learning Experience program. She had the opportunity to immerse herself in this tradition while on a study trip to India, sparking her interest in its cultural significance and impact on women. The findings demonstrate how this evolution has profoundly impacted women, giving them a crucial role in society, serving as a medium for self-expression, and providing them a voice. As a creative outcome, the research culminated in the production of a dance film. This choice allows the film director to control what the audience sees, shaping the way that power and societal control are perceived. What makes a dance film compelling is its capacity to reach a broad and diverse audience, regardless of time or location. Just as Bharatanatyam has been preserved and passed down through generations, dance films can achieve the same continuity, preserving the ephemeral nature of performance. The significance of the study is to express how dance, illustrated through Bharatanatyam, is an effective tool to empower women, an essential foundation for society's progress.
11:15 am -11:45 am
Student Presentation
Columbia University: Teachers College
Safe spaces are talked about as if they are nouns, unchanging, and whose characteristics for safety all look the same and are all inherently understood. Safety generally implies non-judgemental or uncritical. But safe looks different for different people. To be uncritical and non-judgemental can also mean upholding systems of oppression; which ironically make spaces unsafe for the many marginalized people safe spaces are intended to serve. Throughout my decade+ of teaching acrobatics, choreography, and partnering I see a parallel between physical risk-taking: sharing weight and sharing movement ideas (choreography) with emotional risk-taking: building trust and building one’s identity. Through focusing on physical risk-taking, I have also seen relationships of emotional trust develop and through that trust emotional risk-taking also occurs. The trust that is formed by and needed to give a partner one’s weight and know they will ensure safety is parallel or equal to the trust and risk-taking that is needed to offer and develop pieces of one’s identity. Knowing that you will be cared for physically translates to knowing you will be cared for emotionally. But, this is not a static or assumed place it is ever-changing, negotiated, and developed.
12:00 pm - 12:30 pm
Session 2B
12:00 pm -12:30 pm
Student Presentation
SUNY University at Buffalo
How can dance become a meeting place for ritual, spirituality, and diverse cultural stories? In this session, I explore that question through the fusion of African traditional dances, Afro-fusion, hip-hop, jazz, modern, and contemporary forms. Drawing on the Yoruba worldview, where the physical (aye) and metaphysical (orun) coexist. I reimagine ritual as a fluid, participatory process rooted in ancestral rites, symbolic movement, and community engagement. Using four works (Black Tales, Vumani, Alone,Together, and Along), I will share how site, location, and spatial context; from proscenium theatres to outdoor and immersive spaces shape movement vocabulary, choreographic structure, and audience experience. Participants will gain insight into how Africanist aesthetics can merge with global dance vocabularies to preserve cultural memory while adapting to contemporary contexts. We will also examine why movement, beyond its aesthetic value, is a universal language that transcends borders, deepens spiritual connections, and transforms intercultural performance. Through video excerpts, discussion, and reflective engagement, this session invites educators, choreographers, and dancers to consider how tradition, innovation, and environment can work together to expand the expressive and communal possibilities of dance.
12:30 pm -12:30 pm
Student Presentation
SUNY Geneseo
This session will be a 20-25 minute powerpoint presentation about the presence of global dance within Senegal, as influenced by historical events and demonstrated by events of today. It will begin with a brief historic overview of Senegalese history, touching on topics such as: the Senegalese education system that resulted from French colonization; Senegal’s forced assimilation into French ideology and preservation of traditional Senegalese dance and customs; and African independence’s influence on dance and national identity. From there, I will discuss the globalization of Senegalese dance in the context of today’s society using my personal experiences with dance in Senegal from my 4-week study abroad program. I will use these to explain how each of them highlights a different direction of interglobal exchange of dance in contemporary Senegal. Videos 1 and 2 show Amy, a professional Senegalese dancer who works at the Western African Research Center by day and performs traditional Senegal dances by night. She exemplifies the internal to internal exchange via traditional and neo-traditional Senegalese dance. Video 3 is from the Dance Hall, a studio in Dakar where Marc taught a Modern Afro class. It exemplifies the external to internal influence of American hip hop and its fusion with the African dance genre. Video 4 is from a group dance class me and my classmates took in Toubab Dialaw, and is an example of how internal to external transferring requires West African dance to be marketed to a larger audience and across language barriers. The session will conclude with a summary of my experiences, as well as a 5-10 minute question and answer portion for individuals to answer questions about my research.
LUNCHEON
12:30 pm - 2:00 pm
📍 Todd Theater Lobby
2:15 pm - 3:15 pm
Session 3
2:15 pm - 3:15 pm
Student Ownership at the Core of Dance Education
Dr. Rachel McCaulsky & Heidi Miller
📍Todd Classroom
Experiential Workshop
This interactive workshop, led by Dr. Rachel McCaulsky (Director, Ailey Arts In Education & Community Programs) and Heidi Miller (Associate Director, Ailey Arts In Education & Community Programs), explores strategies for building student agency, voice, choice, and ownership in the dance classroom. Drawing on the pedagogical approaches used in the Alvin Ailey Dance Foundation, participants will experience inquiry-based and reflective practices. Using excerpts from Portrait of Ailey on PBS LearningMedia (a documentary on Alvin Ailey’s legacy), educators will engage in collaborative activities that highlight methods for designing lessons rooted in student choice, reflection, and creative expression. This session provides practical tools to: ● Foster student engagement through open-ended questioning, reflection, and collaborative exploration. ● Integrate student-generated creative work into lesson planning. ● Connect Alvin Ailey’s legacy to inquiry-based teaching practices. ● Develop a lesson plan that amplifies student ownership of learning. Through video analysis, group discussion, and co-created lesson design, participants will leave with strategies to cultivate inclusive, student-centered environments that empower students to explore their own voices and perspectives through dance.
2:15 pm - 3:15 pm
Experiential Workshop
In this workshop we will discuss the science behind the body's stress response as explored by Stephen Porges in Polyvagal Theory. Through simple movement, mindfulness and breathing exercises, dancers and dance educators will learn techniques that they can use on their own or in in an educational setting to help address tension, pain, fatigue, disconnection, and more. An introduction to Polyvagal Theory (PVT) will help contextualize the work and further illuminate how self-regulation and co-regulation function in the dance studio and rehearsal spaces. Exercises from Arielle Schwartz’s work, “Vagus nerve stimulation to enhance emotional & physical health” will be introduced and applications to dance training will be presented. PVT also provides compelling resources that dance educators can use to support resiliency, enhance physical and mental preparation, and inform personal self-care practices.
2:15 pm - 3:15 pm
Experiential Workshop
Dance teachers are often asked to teach a wide range of styles and genres, many of which may fall outside their own training or expertise. This workshop reframes that challenge by shifting the focus from technique and genre to the universal concepts that underlie all dance, such as space, time, energy, body organization, and relationship. Participants will engage in movement explorations and collaborative tasks that demonstrate how concept-based frameworks can open pathways to teaching any style while honoring cultural integrity. By giving students ownership to investigate and contribute cultural and stylistic knowledge, teachers can create inclusive, inquiry-driven classrooms that expand beyond their own limitations. This session equips educators with adaptable strategies to foster creativity, representation, and deeper engagement with diverse dance practices.
3:30 pm - 4:30 pm
Session 4
3:30 pm - 4:30 pm
Unlock The Artist Within: Create, Play, Move (K-5)
Marisa f. Ballaro & Whitney Jacobs
📍Spurrier Dance Studio
Experiential Workshop
At the heart of this session is the conviction that improvisation nurtures student voice, choice, and creativity. Through movement experiences, personal reflection, and group discussion, attendees will leave with practical tools, classroom strategies, and renewed inspiration to create inclusive spaces that honor diversity and unlock the artist within every child. Unlock the Artist Within: Create, Play, Move invites participants to step into the role of student, experiencing four proven improvisational structures—”Shape Show/Shape Swap/Shape Build,” “Shape Tag,” “Dance Lands,” and “What’s In Your Kinesphere?” These simple yet sophisticated frameworks allow children to explore movement in ways that are authentic to their own abilities, choices, and voices. Because there is no “right or wrong,” improvisation becomes a laboratory for creative ideas where all answers are good answers. Students are encouraged to move within their physical capabilities, take creative risks, and see themselves reflected in the ideas of others. The result is a classroom culture rooted in empathy, respect, and authentic community—one that adapts to those in the room rather than enforcing a prescribed model of learning. One often practiced dance education model - "do as I do" - is characterized by a teacher-centric approach where students follow the teacher's lead and replicate what is being taught. This singular model can unintentionally limit access, exclude diverse learners, and narrow what counts as “dance.” Students may feel they must move like someone else to be successful, leaving little room for individuality, creativity, or confidence. This session offers an alternative: choice-driven improvisation is an inclusive, developmentally responsive, and empowering practice. Simplified but not simple, the structures gradually shift ownership from teacher to student and foster environments where every learner—regardless of background, body type, or ability—can thrive as a dancer.
3:30 pm - 4:30 pm
Movement Workshop
Somatojazzology Session Description: Somatic jazz pedagogy. This experiential workshop asks participants to consider what values, histories, and teaching practices are reinforced in the jazz dance class? What traditions are important to retain while also encouraging pedagogical innovation and elevating artistic practices? In this session, I’ll share my somatic jazz dance pedagogy as we align somatic methods (philosophies and practices) with rooted jazz elements, or jazzisms, to support the teaching and learning of myriad jazz dance forms. This approach can enhance creative teaching practices and boost student engagement through a community-centered approach that celebrates all jazz styles. Participants will learn simple and readily accessible strategies to enhance the presence of swing, polyrhythms, polycentrism, individuality, social interaction, and improvisation for all movers. Through a contemporary methodology, we will discuss and move through accessible somatic microlessons which honor historical and cultural contexts, increase inclusion, enhance movement skills, and support increased creativity and personal agency for teachers and students. As educators, choreographers, and dancers, how can we support more diverse movers, increase jazz-specific movement skills, and empower students to elevate their jazz artistry? Simple movement experiences will be adaptable for all participants and content is transferable to other dance forms.
3:30 pm - 4:30 pm
NYSDEA Meet & Greet
NYSDEA Board Members
📍Todd CLassroom
Informational Session
Meet the NYSDEA Board and join us in an open discussion about how we can continue to best support you. This is a space to share your experiences, ask questions, and offer ideas for how NYSDEA can better serve dance educators across New York State.
4:45 pm - 5:45 pm
Session 5
4:35 pm - 5:45 pm
Yes and…Inclusive, Rigorous, & Creative Classrooms
📍Spurrier Dance Studio
Movement Workshop
How do we build dance classrooms where every student feels valued, supported, and challenged? This interactive session explores practical strategies for embedding inclusivity and rigor into the very architecture of a class. Drawing from National Dance Institute’s pedagogical framework, participants will experience concrete practices that honor each individual’s contributions within a collective process and creates multiple entry points to maximize the learning. In this workshop, we will explore the principle of “Yes, and…”: meeting students where they are while expanding what is possible. Concrete practices include naming steps after students to honor their creativity, shifting classroom orientation so there is no fixed “front” or “back,” and spotlighting individuals in ways that uplift the group as a whole. We will also consider creative alternatives for students who resist dancing or need different entry points, ensuring they can meaningfully contribute through roles that fit their strengths. Participants will engage in an embodied mini-class and a guided reflection & discussion to help them translate these approaches to their own teaching environments (school programs, afterschool residencies, community centers, or studios). By weaving joy, adaptability, and artistic rigor, this session offers a model for cultivating classrooms that not only accommodate diverse learners but thrive because of them. Attendees will leave with clear, adaptable strategies and a concise handout to help them implement immediately.
4:45 pm - 5:45 pm
Experiential Workshop
This presentation will explore roles for AI in dance learning and its potential for empowerment and critical inquiry. It is presented in workshop form and drawn from a case study conducted in a general education dance course. The workshop consists of specific recommendations about prompts and the use of AI in learning and creative processes, with discussions of ethical and pedagogical considerations. This detailed approach provides educators with suggestions on how to 1) Advocate for and utilize AI and dance embodiment for teaching critical inquiry and agency to student populations with varying levels of experience in dance 2) Analyze best practices in student engagement for such populations that involve using AI, creative processes, dancing, and making dance, and 3) Provide students who have different learning preferences with agency in their learning in a dance course. In-practice details of the process and findings will be presented and explored in the session, followed by discussions on the applications of this process in various settings and sectors.
4:45 pm - 5:45 pm
Movement Workshop
In this 60-minute workshop, ballet students will adopt a “process over perfection” mindset, exploring technique through the lens of artistic intention and self-discovery. Participants will explore a guided barre warm-up that encourages individual modifications and a semi-structured center designed to encourage students to let go of the fear of making mistakes in class and embrace the process.
6:00 pm - 6:20 pm
2026 NYSDEA Award Ceremony
📍Sloan Performing Arts Center Theatre
A ceremony honoring the 2026 NYSDEA award recipients, featuring presentations that celebrate their outstanding achievements and excellence in dance education.
Daria Fitzgerald: Outstanding Dance Educator: Private Sector
Deborah Lipa-Ciotta: Outstanding Dance Educator: Pre-K through 12
Enya-Kalia Jordan: Outstanding Leadership
6:20 pm - 7:45 pm
Student Concert
📍Sloan Performing Arts Center Theatre
Showcasing work from students of NYSDEA higher education Institutional Members and followed by a post-performance talkback.
7:45 pm
Closing Reception
📍Sloan Performing Arts Center Lobby
Closing reception with light food and refreshments

